By the mid-1980s Fender were in a mess. Declining quality, cheap imports and the far better build quality of Japanese Fender instruments had damaged public perception of the CBS-era guitars. The buyout by William Shultz and other investors and the appointment of Dan Smith started the turnaround in fortunes that would restore confidence in the company and return them to the top of the sales charts just in time to catch the drift away from music driven by Gibson-esque humbucker overdrive and towards cleaner single-coil guitar sounds that sat well with the horrible FM synthesisers that would dominate the pop charts for the rest of the decade. And that's when I bought this ...
The introduction of the US Standard Stratocaster in 1987 is widely reckoned to have saved Fender and my 1987 or 1988 (can't remember!) guitar is one of the very best examples of their output at this time. It's an "EE serial" - supposedly "European Export" although I can't find any definitive evidence that this is what the letters mean. I've owned and played a lot of guitars over the years but I've never found one as good as this. It's done thousands of gigs and recording sessions and never failed me. The bridge pickup has been replaced by a Seymour Duncan Alnico Pro II and it's had a refret with massive stainless steel frets. That finish is called gun metal blue, only used in the late 1980s and now only available from Fender Japan or Fender Custom Shop so be prepared for some wallet pain if you want a replica. This is on the "never selling" list. In fact it's probably going in the ground with me.
Well, it finally happened. I've got a new toy and it's magnificent.
I've had my eye on one of these for a long time so when this popped up on Reverb at a bargain price I just had to throw caution to the wind. I've used the BOSS GP-10 for many years but the synth sounds on that unit are slightly disappointing, tending towards the farty monosynth and grainy wavetable ends of the spectrum. The SY-1000 is a big improvement, still not as great as a dedicated keyboard synth but really impressive nonetheless. Tracking is superb and while it is still capable of the odd bum note if you get sloppy it still responds to subtle and not-so-subtle playing. It's already connected to my pedalboard over USB MIDI so things like delay times, slicers and even synth LFO's run in sync with MIDI clock. Video demo to follow. And no, I haven't tried plugging it through the Eventide pedals just yet but it's only a matter of time.
Quick late night noodle to test some of the pedalboard controller functionality. This uses the RC500 looper as a master MIDI clock and the guitar signal goes
- BOSS GT-1000 CORE with a compressed stratty sound
- Eventide Pitchfactor for the weird harmony stuff
- Eventide Modfactor with a bit of phasing
- Eventide Timefactor tempo-synced delays
- Eventide Space to add a bit of spring reverb on top
- BOSS RC500 looper doing the drum sounds
All done live in one slightly ropey take so there's the odd fuckup with the tricky timing and the harmoniser gets confused when it hears more than one note at once so maybe I need to upgrade to the Eventide H90.
Quick mention for the neck pickup that just arrived for the Red Special build, a mean-looking DiMarzio Air Norton from those lovely folk at Andertons Music. I'm still waiting for the pickguard to arrive so the project's stalled at the moment but I can't wait to get a double-humbucking Stratocaster together.
Caution: contains major spoilers for anyone who hasn't seen Chapter 1.
With a bit of careful drilling and filing and a tiny bit of routing the Roland GK pickup is bolted in place and the MG510 is starting to look pretty mean.
Now it's electronics time. Installing the GK control board and wiring all the controls can be a tricky operation with much potential for stripping wires too short or pulling them out of the multi-pin headers. Proceed with caution.
The great thing about the Casio guitar is the amount of space they routed out for all the MIDI converter circuitry leaving plenty of room for the tiny GK board. Fitting this into a standard Stratocaster is next to impossible without routing chunks of wood away but this is an absolute breeze.
To make life even easier, the GK output jack fits absolutely perfectly into the hole in the jack plate where the MIDI output used to be. Unfortunately there are some redundant openings that may or may not get a blanking plate some time in the future.
In this operation it is absolutely vital to refer to the GK-Kit installation guide and its Japlish advice on how to wire the "buttery" in an active guitar.
GK-KIT-GT3_OM.pdf (683.34 kb)
To be continued ...
"All I ever wanted was a red electric guitar ..."
This is something I've wanted for a very long time, a Stratocaster in metallic candy apple red. I've had the Fender Deluxe neck lying around for a while and the time just seemed right to build it into a guitar. The body is another Fender Deluxe part, one of the bodies they sell to people like me who feel the need to hammer guitars together from parts.
Looks a bit Hank Marvin's Stratocaster but it's certainly not going to sound like Hank.
First job was to check the neck fit and it really is absolutely perfect. Fender seem to have taken CNC milling of guitar parts to an even higher level than I had previously thought, this is absolutely flawless.
Tremolo spring install is a fiddly job, be careful not to slip and run the pointed head of the screwdriver across that beautiful finish!
Bridge stud install is even worse though. Hammering these brass inserts into the body while trying not to slip and hammer the top of the guitar is nerve-wracking to say the least. Despite what these photos suggest, I did eventually get them both seated equally.
The "Red Special" Stratocaster is going to feature two humbuckers. In tribute to one of my first guitars I've gone for a Seymour Duncan Custom Trembucker in the bridge as I know this pickup has a fairly smooth clean and crunch sound as well as enough grunt to really drive an amplifier. Neck pickup will be a DiMarzio Air Norton when I've recovered from the financial shock of building the guitar this far.
Still got to order about £160 worth of parts and pickups but it looks good even with an old smoke-stained pickguard with the wrong pickup spaces.
This will be a beast of an instrument. I'm even thinking of breaking with tradition by fitting 09 gauge strings and making the tremolo float. I always hardtail my Stratocasters to allow for double-string bends but I imagine this one will be mostly for power chords and single-note riffs so I might as well have a bit of fun.
Unfortunately this project is delayed for several weeks while I wait for a custom pickguard to arrive from WD Music. Stay tuned for more updates.
Update: My DiMarzio Air Norton arrived. Still waiting for businesses to wake up for the new year but the pickguard is on order.
The time has come to do drastic surgery on the non-functioning Casio MIDI guitar. While the 1990s output of the Fuji-Gen Gakki factory has superb build quality, I've never been a fan of the Japanese pickups. I happen to have a nice set of DiMarzio noiseless single coils that would suit this guitar very nicely and a Roland GK kit so let's get to work ripping out the old electronics ...
The MIDI control panel isn't entirely suited to the GK controls so I've rattled off a PCB design with a GK volume control, momentary up/down program change switch and a GK/guitar/both selector.
Custom pickguard by local builder Tiny Tone is a hybrid of the old Casio version and a US Stratocaster with three single coils instead of the Casio HSS layout. The MIDI pickup isn't compatible with the GK board so the bridge cutout is Stratocaster style.
I've installed a four-pole double wafer switch as I want this guitar to have my special custom switching.
Super Strat Wiring.png (opens in new window)
So that's all the best Stratocaster sounds plus the Telecaster inbetween sound. The noiseless pickups should be perfect for this as there's no problem with not having RWRP in some combinations.
Next job will be drilling the pickguard for the GK pickup.
I've routed a lot of wood away around the bridge and I'll be using a pickguard from another project as a drilling template. This is an after market pickguard for a Fender Roland Ready Stratocaster and the GK pickup holes line up exactly with the Roland unit.
Don't miss the thrilling Chapter 2
This is the latest nightmare of wires and microcontrollers, my MIDI pedalboard controller to route clock and program change round the two pedalboards. When (if) finished it will (should) allow me to use the RC-500 Loop Station as a master MIDI clock for all the pedals while receiving program change from the BOSS GP-10. Those program changes select a "super patch" from SD card on a LOLIN D32 Pro ESP32 MCU which selects different program changes for the three Eventide pedals.
I originally planned this with a web interface using ESPAsyncWebServer and JSON but that's been scaled back due to lack of available memory but it may just expand into a second ESP32 board to provide Wifi connectivity and web front end. A work in progress.
I've been taking a break from analogue circuits to investigate the world of DSP using an ESP32 microcontroller and the Faust DSP librares. This has been quite an adventure involving building my first dedicated Linux computer with PlatformIO running in Microsoft VS Code. So far I've got it running three sawtooth oscillators, a noise source, triangle LFO, amplitude and pitch envelopes and a simulated Moog resonant filter. The I2S interface produces impressive 24-bit sound quality at 48kHz sampling rate. Unfortunately the Faust delays and reverbs seem to make the processor brown out and it goes into a reboot cycle. More work required. Or possibly just a lot more memory. That couldn't hurt. The crackling noises are due to having the record level turned up too far rather than any problem with the synth.
Well, we're all confined to our homes while the COVID menace stalks the streets so here's a good old blast of insanely resonating modular synth with some 808 drums from Native Instruments Battery.